Monday, 30 November 2015

Leigh Bardugo Interview

Interview with Leigh Bardugo on her Magic and Mayhem Tour
 
About Leigh:
 
Leigh Bardugo is the #1 New York Times bestselling author and USA Today bestselling author of Six of Crows (awarded starred reviews from Kirkus, Publishers Weekly, VOYA, SLJ, and the BCCB) and the Grisha Trilogy: Shadow and Bone, Siege and Storm, and Ruin and Rising. She was born in Jerusalem, grew up in Los Angeles, and graduated from Yale University, and has worked in advertising, journalism, and most recently, makeup and special effects. These days, she lives and writes in Hollywood where she can occasionally be heard singing with her band.

Interview:

How has the response to Six of Crows been?
It’s been great! It’s been amazing, we debuted at number 1 on the New York Times Bestseller list and we’re still in the top five which is really exciting. I guess more importantly its been really exciting to see people discover Six of Crows who hadn’t even heard of the (Grisha) trilogy, and to see people who really like the trilogy take the leap into the new story.

Whenever you put something new out there’s sort of a fear because it’s a little different, or maybe a lot different, are people going to come along with me? Its meant a lot to me to see people pushing it and promoting it, especially on Tumblr and book-tubing about it.


How do you think your love of Slytherin affects how you write your characters?
I, for one, feel Slytherins are misunderstood and often portrayed in not the most flattering light and that is because history is often written by the Gryffindors. Or the Ravenclaws. I think that the goal is not to make a character likeable. It’s to make the character real. I think Slytherins have an appreciation for all the shades of grey in a given character. Ask Regulus Black, he understands.


Do you identify with any of the crows more than the others? I feel as if you’re like Nina on the outside with some Kaz on the inside.

Kaz is much smarter than I am. There’s a saying that no character can be smarter than the author and that’s really not true. Authors have a lot of time to think and plan and it looks as if Kaz is thinking of these things on the fly when really I’ve been sitting there banging my head against the wall for a couple of weeks.

I wish I had more of Nina’s confidence. But I think she’s the most like me in that I’ve spent my life being told I was too big, too loud, too much of one thing or the other. So I wanted to create a character who was all of those things and really didn’t care. 


When did the idea for Six of Crows come about? Was is during the Grisha trilogy, or after?
Well, I always wanted to write a story in Kerch. And I had this idea for Ketterdam where Nikolai went to university or pretended to go to university. I always wanted to set something there because its almost like the anti-Ravka. Ravka is isolated and old-world, really struggling economically and hasn’t industrialised at all whereas Kerch is prosperous, modern and cosmopolitan. It's on the cutting edge of everything, so I always wanted to set a story there but I didn’t know what story it was going to be. Then I was driving down the street and I saw a billboard for Monuments Men (film -2014) and I was like, I don’t want to see that, but I do want to re-watch Oceans Eleven! And all of a sudden I realised oh my gosh, I want to write a heist story! That’s what I’m going to do! All of these characters that I’d had steeping in the back of my head came to mind and I knew I was going to bring them together and put them on this team, this is exactly the right story for this city. That was the evolution of it.


Did you do a lot of research to build Kerch, like you did in researching Russia to build Ravka?

Research is one of my favourite things because we’re all readers, and research is basically ‘oh, now I have to read for a while. What a chore.’ So I did a lot of research on the Dutch Republic of the 1700’s and Amsterdam and the way that it developed. But also New York, old New York/ New Amsterdam. Also, Victorian London and Las Vegas. There’s all a little bit of them in Ketterdam. I think I was little bit more adventurous in my world-building this time, which was kinda fun.


Was it hard writing from so many points of view, after just writing from Alina’s in the Grisha trilogy?

You know, that wasn’t the hard part. I really enjoyed writing multiple character points of view, because if you got tired of a character or if their story got too dark or too sad, you could switch gears.

I found the heist to be the hardest part to write. That was the thing that took the most work and was most challenging. The release of information and the flashbacks was difficult, it’s a much more complex book than the Grisha trilogy. It’s not linear in the same way.


Do you miss writing the characters from the Grisha trilogy?
I missed them early on in Six of Crows because I hadn’t gotten to know the Crows as much as I knew the characters from the Grisha trilogy. And I find I don’t get to know characters, well, apart from Matthias. I knew him from moment one. He’s very easy to write. He’s a big blonde drama queen -
 we understand each other. But the other characters took me a while longer. I really got to know them through the process of writing them and getting to know their voices. I think any time you try something new there’s that getting-to-know-you stage, which isn’t always comfortable. It’s a process, sometimes you can ask, ‘why can’t I hear him/her?’ It takes a while to get to know them.


Can we expect to see any of the old characters from the Grisha trilogy in the second novel?

I just turned in the first draft of the sequel to my editor and right now, yes there are some cameos, but I don’t know if they’ll stay so I’m not promising anything, she could just draw a big red X over all of those pages.


I adore Winter Prayer, your song written about the Grisha trilogy. You stated you’d written a song for Six of Crows, what is it about? Can we expect to hear it?
The thing is recording a song takes a lot of time and means calling in a lot of favours from friends, and particularly because I’m not a particularly good musician. I did write the beginning of a song but I don’t know if I'll ever record it. My life, at the minute, is basically tours and deadlines. Someday I wouldn’t mind recording it. It’s a lot simpler than Winter Prayer, which was a big orchestral, sweeping thing. This is more of a folk melody.

I did put lyrics in Six of Crows, there’s a scene with Nina and Inej with a song so I tweaked a few lyrics from a song from my band and put them in.
 
 
What can we expect from the sequel to Six of Crows? (Now named Crooked Kingdom!) 
 
You will get Wylan's point of view.
 
Some ships will sail…and some will be wrecked upon the rocks.
 
Basically, all of the powers of the world are descending on Ketterdam, trying to discover the secrets to this drug. Essentially, the future of the world is going to be decided on the streets. There are some old rivalries that will re-surface, some new enemies and some new allies. For now, its all mostly contained within the world of Ketterdam, particularly the Barrel.
 
  
Can we expect any more folk tales?
 
Maybe. At some points. What I would really like to do is a collection of stories from each of the countries. From the Wandering Isle, Noyvi Zem, Ravka and Fjerda. I would love to write some Fjerdan folk tales - they’d be so dark!
 
 
If you had to get a tattoo to commemorate your books, what would it be?
 
I always feel like its tempting fate to get a tattoo of something from the books. What if the book didn’t do well, and then you had to look at it foreverrrr! We did design a tattoo; it’s the Crow and Cup that the Dregs wear. I honestly don’t know, but there’s a saying that Tolya and Tamar use in the Grisha trilogy which I really love. Its yuyeh sesh (despise your heart), ni weh sesh (I have no heart), the first part of the phrase has been with me since college. It was in a survey of African cultures and there was a phrase in Kikongo which means despise your heart and you would say it before you went to battle. I loved it so much and it stayed with me since I was twenty. I think that is the thing that would be most likely to end up tattooed on me. Despise your heart, which tells you all you need to know about me!
  
 
Is there a character from another book that you’d want to pick up and put into your world or a character from your book that you’d want to pick up and put into another world? 
 
Hmm, sometimes I want to put all my characters in a cute contemporary, so nothing bad will happen to them. But then I think about putting Kaz into a Stephanie Perkins novel and I’m like oh my god, he would steal all their money and break into all their houses. 
 
Actually someone on Tumblr has been putting all the characters into the Hogwarts houses and she put Inej in Gryffindor and I was thinking about how much that made me a little bit sad because that’s the childhood she should’ve had. She should’ve grown up and been safe somewhere. I would put Inej somewhere safe, post (Harry Potter) books, when its peaceful. 
 
 
Any book recommendations?
 
  • Illuminae by Amie Kaufman and Jay Kristoff;

  • The Young Elites and The Rose Society by Marie Lu (it just keeps getting better and better!);

  • The Sin Eater's Daughter by Melinda Salisbury;

  • Anything by Victoria Schwab (I think that all of her books are fantastic);

  • Gene Yang - he wrote American Born Chinese and Boxers and Saint (they won a ton of awards. Start with Boxers and Saints, its so good, it’ll destroy you! Then read The Shadow Hero because its charming and fun and happy and it’ll cheer you up);

  • Oh! And Rainbow Rowell. I love everything she’s written. Eleanor and Park is still my favourite but I really loved Carry On, which has recently come out.
 
Thank you very much for allowing me to interview you Leigh!
 
Six of Crows is available now from all good bookstores. Grab your copy now!
 

Thursday, 12 November 2015

The #YAtakeover Author Line-Up

The author line-up for the #YAtakeover:

1.   C. J. Skuse (Monster)
2.   Frances Hardinge (The Lie Tree)
3.   Siobhan Curham (True Face)
4.   E. R. Murray (The Book of Learning)
5.   Matt Whyman (The Savages)
6.   Melinda Salisbury (The Sin Eater's Daughter)
7.   Becky Albertalli (Simon Vs the Homo Sapiens Agenda)
8.   Virginia Bergin (The Rain)
9.   MG Harris (Gemini Force One)
10. Cat Clarke (The Lost and the Found)
11. Non Pratt (Remix)
12. Lisa Heathfield (Seed)
13. Sarah Mussi (Siege)
14. Alexia Casale (The Bone Dragon)
15. Holly Smale (Geek Girl)
16. Rachel McIntyre (Me and Mr J)
17. Clare Furniss (How Not to Disappear)
18. Jana Oliver (The Demon Trappers)
19. Andrew Smith (Grasshopper Jungle)
20. Jess Vallance (Birdy)
21. Anna McKerrow (Crow Moon)
22. Jess Vallance (Birdy)
23. Louise O'Neill (Asking For It)
24. Marcus Sedgwick (The Ghosts of Heaven)
25. Jennifer Niven (All the Bright Places)
26. Ryan Graudin (Wolf by Wolf)
27. Kendare Blake (Mortal Gods)
28. Sally Green (Half Wild)
29. Samantha Shannon (The Mime Order)
30. Keren David (This is Not a Love Story)
31. Liz Kessler (Read Me Like A Book)
32. Alice Oseman (Solitaire)
33. Lu Hersey (Deep Water)
34. Lynn Weingarten (Suicide Notes from Beautiful Girls)
35. Taran Matharu (The Novice)
36. C. J. Daugherty (Night School)
37. Robin Stevens (Murder Most Unladylike)
38. L. A. Weatherly (Angel)
39. Christi J. Whitney (Grey)
40. Eve Ainsworth (7 Days)
41. Jenn Bennett (Night Owls)
42. Jasmine Warga (My Heart and Other Black Holes)
43. Tabitha Suzuma (Forbidden)
44. Teri Terry (Mind Games)
45. Lauren Kate (Fallen)
46. I. W. Gregorio (None of the Above)
47. Darren Shan (The Vampire's Assistant)
48. Lisa Williamson (The Art of Being Normal)
49. Laura Jarratt (Louder Than Words)
50. Brian Conaghan (When Mr. Dog Bites)
51. Charlotte Eyre
52. Jake Hope
53. Katie Webber
54. Joy Court



Wednesday, 11 November 2015

The #YAtakeover

 

The #YAtakeover is an event unlike any other. For 24 hours, we're taking Twitter by storm. Authors from around the word will be interviewed live on Twitter where you, yes YOU, will get a chance to ask your burning questions. Join us on the 8th January 2016 at 9pm right through until 9pm on the 9th January  for the first ever, 24-hour, global YA event. Authors, bloggers, readers, booksellers, librarians, YA readers: mark this date in your calendar but I guarantee you, this is something you will NOT want to miss.

Twitter interviews will be themed and include anywhere between one and three authors. This will be hosted by a blogger on the day so share your thoughts with the authors involved by tweeting them (don't forget the #YAtakeover hashtag though!). They will take questions for the last ten minutes of their interview.

Follow our blog for the latest. Check us out on Twitter and Instagram where we'll announce news and updates. We have tons of giveaways and games planned, a book-tubing event with a twist, Twitter interviews and chats, a literary YA week and a whole lot more. Watch the skies for our YAF signal or, you know, you can always just check Twitter if it's a cloudy night.

Our giveaways will be done on Twitter AND Instagram so make sure you follow us on both to double your chances.

A list of the authors involved will be posted on the 12th November and updated as the month goes on. Follow us on Twitter to hear the daily author reveals first. The #YAtakeover schedule goes live from the 17th December 2015. I've already got that Friday feeling!

Wednesday, 28 October 2015

'Messenger of Fear' Review

'Messenger of Fear' by Michael Grant
Review by Megan

Summary:

“I could call him Messenger, but his full title was Messenger of Fear...”
A girl wakes covered in mist.  She doesn't remember anything about herself: just her name.  Mara. She walks into a church and finds a beautiful boy.  He is the Messenger.  And she is under his control. At first, Mara hopes this strange land and boy are all figments of her imagination, a dream, but soon it becomes all too apparent that this is real.  He is real.
The Messenger has a job: he must keep the balance.  Those who have darkness in their hearts – those who have done wrong – are his jurisdiction.  He gives them a choice: Play... Or Pay… If they play his game and win, they go free.  If they fail, they must face their greatest fear... And Mara must help him – she must help the Messenger of Fear... But why?  And how can she escape?  What is this place the Messenger and the other beings inhabit? And how did Mara come to be here too...?


Excerpt:

“Who are you?”
That was the first question I asked the boy in front of me.  The pale, solemn young man in the black coat with small silver skulls for buttons.
But he didn’t answer it.  Instead he answered the question I never asked, but which was nevertheless what I really wanted to know.
Am I dead?
No.  Not dead, he told me.
But surely not quite alive, either.  How could I be?  I remembered my name – Mara.  But, standing in that ghostly place, still shuddering at the memory of the creeping yellow mist that had awoken me in that strange, silent land, I could recall nothing else about myself.
And then the games began.

Review:

I have adored every single one of Michael Grant's books that I've read. But in about five pages, Messenger Of Fear instantly became one of my favourites.  I love the fast-paced, non-stop action of the Fayz and BZRK series, but this... it was freaking terrifying! Grant is king of creepy, but in Messenger of Fear he takes it to a whole new level. The amount of psychological suspense, fear, thrills and tangled webs in this book... whoa. He also takes some serious issues and manages to brilliantly incorporate them into this fantastical and creepy story. Plus, Messenger of Fear was just the star - I cannot wait to delve deeper into this world with the sequel!

I think it's kind of hard to judge Mara as a character: for the majority of the book, she herself didn't even know who she was, so how were we really meant to? I think she did have an impressive character arc though, and I look forward to seeing more of her.  And then there’s the Messenger, who was absolutely fascinating to me. I do love the mysterious, dark types (though not quite as much as my snarky, borderline-bad-boys) and Messenger was just... so interesting

There was a whole host of other mysterious characters – from Oriax to the Game Master. I'm very excited to learn more about them – about the whole world, actually! I'm not going to say anything else about the other characters – can't give out too many spoilers, can I – but I really did admire the way Grant made them all; different shades of grey, all of them. Because, yes, I hated some of the characters and liked others, but I really understood them all, and could appreciate their characterisation and purpose.

Oh, and guys! GUYS. There was no romance in the book!  Seriously!  I mean, Messenger is a guy and Mara is a girl and both were the lead characters, but no romance - amazing, right?! Sure, she didn't really trust him. Sure, if you touched him, something pretty bad happened (not telling: no spoilers).  But still, I’m really excited by this romance-less plot. Hopefully it will invite more focus on the story rather than a relationship - don't ruin it now, Michael Grant!

On to the writing, which was really different from Grant's usual style: more elegant, more lyrical and more descriptive. Less bang-bang-bang, with everything being thrown at you; more refined and slow, like a mist that creeps into your mind and captures you. I liked it very much. On another note - and I’m not going to lie - fans who are used to Grant's signature bloody action might be a little disappointed with the plot of Messenger of Fear.  But if you love exciting and intense psychological suspense, lots of mysteries to be solved, justice to be dealt and webs to be unraveled, you will lap this plot up, just like I did. I really did like the story. It wasn't the fastest, but it was brilliantly suspenseful – we were constantly given little clues, new mysteries and bundles of foreshadowing. As a gal who dotes on mysteries, I really did enjoy the slow build and the endless secrets to unravel. And that last reveal... maybe I should've seen it coming. But I really didn't. It shocked me. And left me desperate for more!

But don't get me wrong; as much as I enjoyed Messenger Of Fear, lots of it was really hard to read. There was this one bit... around eighty pages in... I found it so, so hard to carry on with that chapter – I was literally yelling (in my head) at the characters involved, begging.  It was... rough, to say the least. And then towards the end... the violence... the blood of this one scene...  That was hard too. But as well as these tough (and brilliantly written) scenes, lots of other difficult issues were tackled: bullying, secrecy, being a victim, injustice, pain... 

Messenger Of Fear was a truly gripping and original book – one that completely surprised me and one that I really enjoyed.  It might not be for all of Michael Grant's BZRK-er fans, but for those of you who love supernatural mystery books, with lots of creepiness and secrets to unwind, Messenger Of Fear is not to be missed!

So, what are you waiting for?  Read or pay, people!

Rating: 4/5 Stars  ★ ★ ★ 
  
Read this book if you liked:
 
The Fayz series by Michael Grant
The 5th Wave by Rick Yancey
Abhorsen by Garth Nix

Happy Reading

* This book was received from Egmont in exchange for an honest review

Thursday, 24 September 2015

'Take Back The Skies' Review

'Take Back The Skies' by Lucy Saxon
Review by Laura Ashforth

 
Summary:

Catherine Hunter is the daughter of a senior government official on the island of Anglya. She's one of the privileged; she has luxurious clothes, plenty to eat, and is protected from the Collections which have ravaged families throughout the land. But Catherine longs to escape the confines of her life, before her dad can marry her off to a government brat and trap her forever.

So Catherine becomes Cat, pretends to be a kid escaping the Collections, and stows away on the skyship Stormdancer. As they leave Anglya behind and brave the storms that fill the skies around the islands of Tellus, Cat's world becomes more turbulent than she could ever have imagined, and dangerous secrets unravel her old life once and for all . . .
 
 
Review:

For a debut author, Lucy Saxon's first book is pretty good. She certainly has a lot of potential which I’m sure will improve as she writes more.

The plot of TBTS is fairly good, it has a dystopian, ‘overthrow a terrible government’ feel to it but different and in a completely new world. However, at the start of the book, Cat’s objective is to escape her life, but we don’t get enough detail on it to know exactly what she’s escaping from; she dislikes her father, but doesn’t every teenager at some point? And her mother is ill; doesn’t she mind abandoning her? I felt it needed more on her father's cruel behaviour so that she felt forced to leave rather than seeming like a stroppy runaway.

After Cat leaves, there is too big a gap in the plot where nothing really happens. She just lives happily on the Stormdancer with nothing building in the background and you wonder what the rest of the story is going to be about. It leaves you bored just waiting for the plot to pick up.

Once things do pick up, sometimes you’re left thinking, really? The main characters have snuck in to a secret government building and to avoid being caught hide in a cupboard, where they begin talking. Surely, they couldn’t be at all surprised when they’re shortly after discovered and hauled out?

The characters, I think, could’ve been better developed with more stand-out, individual characteristics compared to the stereotypical enigmatic male with a dark past he doesn’t wish to speak of. He didn’t seem different to past heroes. The heroine was a typical, stubborn girl who wants to escape her life and ends up falling in love with the first boy she encounters. 

The language was unnatural and forced almost. The dialogue just didn’t flow but seemed disjointed; it needed to be more conversational.

The world building was good; Lucy has built an odd and new world with opportunity for later books set in it. It was easy to slip into the world and imagine it and want to be aboard the Stormdancer. 

The end of the book I feel isn’t satisfying; you’re left hanging and angry. After finishing, I liked that the end was different and sort of angered me because it made it stand out but I felt saddened by it in an already quite dark book. It didn’t change and end lightly, which was surprising. 
 
 
Rating: 3/5 Stars  ★ ★ ★ 
 
 
Laura

Laura is a blogger who started reviewing for the Guardian’s Children website before starting her own blog and joining the YAfictionados. She loves to read everything and anything though fantasy is her favourite (probably, she thinks, because of her childhood love of The Lord of the Rings). Her favourite books include the Throne of Glass series by Sarah J. Maas.

Follow Laura on Twitter:
@AssassinGrisha

Find Laura on Goodreads:
Laura Ashforth

Thursday, 17 September 2015

'The Art of Being Normal' Review

 


'The Art of Being Normal' by Lisa Williamson
Review by Sarah Nuttall

Summary:

David Piper is a fourteen-year old boy who has kept a secret for years. A secret that makes him feel different, scared and alone, yet the implications of revealing the secret could shatter David’s world. For David knows that he is a girl in a boy’s body, he has known for years and the secret is slowly weighing him down to the point where he feels he is drowning. Leo also has a secret, one that he would prefer to keep hidden from the world and has switched schools to hide. Leo knows this secret could shatter his new life so he keeps people at bay. However, when the mysterious Leo befriends David to protect him from being bullied, they both recognise that each is holding onto a secret. This friendship allows both David and Leo to take the first steps into the adult world allowing them to understand themselves and offering them acceptance, independence, love and happiness. 


Review:


The Art of Being Normal is the debut novel from Lisa Williamson and based simply on the quality of this debut, I have high expectations of what wonders she will bring to the YA genre. Although this book wants to discuss the wider issues of the LGBT community, it is secondary to creating memorable, original and well-crafted characters that I loved spending time with. I felt like I could identify with all the characters in the book despite not facing the same challenges and obstacles in my life. The book is so beautifully written that I cried several times and for days afterwards, I thought about the characters and the world they inhabited. I raved about this book to anyone who would listen that that they needed to read this book as I wanted to share the brilliance with everyone and discuss the issues raised.

I absolutely adored this book and think it is one of the most important YA books of the last ten years and marks a milestone in the understanding and reflection of an important issue in the LGBT community. Its central character is aware he is transgender and is viewing his options for transitioning to become, on the outside, a reflection of who David is on the inside. It is the first book I’ve read in YA that contains characters that are transgender and are at different stages of their transitioning and I hope it opens a door for further books on the subject. It eloquently depicts the wide-ranging issues that the transgender community face and how challenging this can be in the context of high school.

I find the high school setting to be one of the book's greatest strengths. There is nothing scarier in the world to a teenager than the loss of routine (school-life and home-life), friends and family and David’s secret has the potential to shatter them all. The fear that to become who David truly is, might cause those he loves to turn their back on him and destroy not only his home-life but also school-life, is a truly terrible possibility; one that would strike fear into the hearts of all teenagers and a fear David lives with daily. It is incredibly difficult to be unique in high school where the pressure to conform to the status quo is overwhelming. David’s choice is incredibly brave and moving and it is a pleasure to follow David on his journey. I do not want to go too deeply into the challenges David faces as the route David takes is unexpected and thrilling and I found the book was far more emotionally thrilling and unpredictable the less I knew. What I can say about this book is that it is a character-driven story and rich in plot with unexpected twists and turns that are believable and allow our characters to discover more about themselves.

The transgender/transitioning is a major plot point of The Art of Being Normal and it is treated with the upmost respect, love and understanding rather than being used for shock value or to sensationalise. The book is also realistic in portraying that there is still ignorance within society with the concept of transgender and transitioning and that this is not the end for David; there will be more challenges to face; more adversity to overcome. It is for this reason alone thatThe Art of Being Normal deserves the acclaim it has received. It has shined a light into a community that is under-represented by the media and society at large and often misunderstood. It also highlights the dangers the community faces from this ignorance, even though this year has seen several high-profile members of the transgender community speak out about their experiences such as Caitlyn Jenner and the development of the first Miss Transgender UK however there is still too much work to be done.

In the US alone this year, 17 transgender women have been murdered which is more than the entirety of the previous year. Acts of violence against the transgender community are not rare. Transphobia is real. According to the American Psychological Association, transgender children are likelier to face harassment and bullying than their peers and ¾ of transgender children reported feeling unsafe. It is a sobering thought that children can feel unsafe simply because of their sexual identity. The Art of Being Normal is therefore not only a well crated novel with a message but a book that can provide a little hope for the future whether it is allowing transgender children to feel less alone or providing non-transgender children a glimpse into a world they don’t know but the more we understand, the better a world we can make for everyone.

Rating: 5/5 Stars  ★ ★ ★ ★ 

Sarah Nuttall

Sarah is an active contributor for the YAfictionados blog site. She has written posts for the Waterstones blog and has worked as a bookseller (for 9 years), a Children's bookseller (for 6 years) and is now a manager at her local bookstore. Needless to say, Sarah is a valued member of the YAfictionados team - a true Children's and YA literature expert.

Thursday, 10 September 2015

Why We Need Diverse Books #DiverseYA

"We need diversity in YA books as books themselves represented life, they reflect our worlds around us whether the setting is dystopian, fantastical, historical or real-life through the characters, their emotions and their choices. Books that choose to ignore diversity despite relevance to their story do not reflect life but a diluted, unrealistic and forced perspective that limits characters and their choices not allowing the characters the chance to fulfil their potential. Instead the story becomes secondary to the authors own personal beliefs and attitudes. It becomes a sermon rather than a story allowing neither reader nor author to develop from the book. As reflecting diversity can be challenging and challenging books are not always popular, high-grossing or beloved it’s not always the obvious choice to reflect diversity even though it is the right choice.

Books that do embrace diversity allow their characters a rich character arc and emotional connection, whilst also bringing to light issues that affect the world and society. They allow us to empathise, learn and understand the characters and their situation and develop from an experience we may otherwise have little understanding of. Diversity allows books to reflect the world and from that we can understand the world embracing the differences that make us great and increasing our understanding of this complex and beautiful world."


Sarah Nuttall (@CapturingSarah)
 

 
"Diversity is about representing our generation. There's strength in all of us and we deserve to see that in characters that we will love but ones that will also challenge our perceptions of the world we live in. I deserve to be represented; you deserve to be represented; we all deserve to be represented. Race, age, sexuality, gender, taboo issues (rape, suicide, depression etc.) should all be talked about. They are real issues, often real problems, and they need to be highlighted. Without diversity, we will be left with husk stories and vapid characters. We not only need diverse books, we DESERVE diverse books. The most important thing is that, you, YES YOU, reading this: if you want to see diverse books then you need champion and support them.
 
Christopher Moore (@yablooker)

 
 
"I think it's important to have #DiverseYA so that people from all races, sexualities, genders etc. can feel represented and confident in themselves that they are accepted. Diverse books help diverse people to realise that, despite what anyone says, they are normal. And that it's okay to be who you are. I think without diverse books, particularly in YA, where teens struggling with various problems will look for comfort, the social situation would be very much worse. Books help us to understand one another and without them, I really don't know where we'd be."
 
Georgina Howlett (@thereaderrunt)
 
 

 
 
 
 
 

 
 

 

'Because You'll Never Meet Me'



'Because You'll Never Meet Me' by Leah Thomas
Review by Christopher Moore

 
Summary:
 
Ollie and Moritz are two teenagers who will never meet. Each of them lives with a life-affecting illness. Contact with electricity sends Ollie into debilitating seizures, while Moritz has a heart defect and is kept alive by an electronic pacemaker. If they did meet, Ollie would seize, but turning off the pacemaker would kill Moritz.

Through an exchange of letters, the two boys develop a strong bond of friendship which becomes a lifeline during dark times - until Moritz reveals that he holds the key to their shared, sinister past, and has been keeping it from Ollie all along.
 
Review:
 
Because You'll Never Meet Me is an incredibly touching story told between two boys who will never meet because Ollie, repels electricity and it repels him, and Moritz requires a pacemaker to live. The story is told in a letter narrative, mostly, between the two boys and is an intimate form of writing that lets us see both characters, their relationship and so much more.
 
I would have liked a little more character differentiation between Ollie and Moritz. Sometimes the lexicons feel quite similar but overall, Thomas has produced a magnificent story with endearing characters (admittedly, Ollie being the most charismatic and bubbly) that reveals so much about human nature, love, friendship and family. It's not without its highs and its lows but ultimately, it's a long-distance journey that changes both boys for the better.
 
The LGBT element is subtle and this is a perfect example of where LGBT representation can be prominent without it being centre-stage and completely taking over the story. Yes, the story does cover LGBT issues but it's not a LGBT story. It cannot be pigeon-holed as such because it is a compelling and deeply touching story that encompasses this but is so much more than JUST THIS. This is exactly the sort of story that we need. I would class it as a diverse book and as James Dawson commented this year at YALC, we have diverse books around us already but we need to champion and support them in order to push publishers to produce more wonderfully diverse stories. We don't just need DIVERSE books, we DESERVE them.
 
Rating: 5/5 Stars  ★ ★ ★ ★ 
 
Christopher Moore:
 
 
Christopher is a co-founder of the YAfictionados blog and is best known as the YAblooker. He is a twenty-four year old book blogger who has previously worked in marketing and consumer insight for various publishing houses and writes in his spare time. He loves to travel and will read anything YA-related and some general fiction and fantasy.


 
 
 
Follow Christopher on Twitter: @YAblooker

 
Find Christopher on Goodreads: Christopher Moore

Follow Christopher on Instagram: @yablooker

Friday, 28 August 2015

US Superstar Author Michael Grant Chats Books, Success and Mayhem



Michael Grant is the best-selling author of the Gone series, Messenger of Fear and the BZRK trilogy and co-author of Eve & Adam and the Animorphs series with his wife, Katherine Applegate.

Follow Michael on Twitter: @MichaelGrantBks
 
Buy 'Gone':

-  Amazon
-  Foyles
-  Waterstones
 

 
The interview
 
For those that haven’t read it, can you sum up the FAYZ series in a tweet?

Every adult, every rule, every limit: Gone. 332 trapped kids struggle to survive in a mad, violent world. By the end many of them will also be: Gone.

Not sure if that’s under 140 or not. But it’s close, right?


Sure! The FAYZ is an incredibly brutal and violent world. How would you respond to parents that say that your books are too graphic; that children should not be subjected to that kind of brutality? Has this ever been an issue?

Well, we aren’t subjecting kids to any sort of brutality. I only rarely beat actual children with a baseball bat or use my telekinetic powers to toss them off of cliffs.  

The Gone series are six books. Books do not cause injuries. Books do not cause psychological trauma. The number of people killed by speculative fiction remains: zero. Relax, people, relax. Your children are on the internet, you’ve already lost control of what they see and hear and read, stop kidding yourself. Drawing the line at a book - any book - is silly and counterproductive assuming you’d actually like your children to read. 

The words “don’t read that,” should never cross the lips of any adult who wants kids to read. Don’t erect barriers, it’s hard enough to hold onto any audience that has an iPhone, an iPad, a laptop, cable television and a movie theater.


Where did the premise for the FAYZ series come from and how did it evolve?


It started not with Lord of the Flies, which people sometimes assume, but with the TV show Lost. I didn’t even spot the rather obvious LOTF connection until I was halfway through writing Gone.  

The Gone series is most basically a Robinson Crusoe story. Civilized humans suddenly deprived of all the tools and institutions of civilization. There is no authority in the FAYZ universe, no one in charge, no one to turn to. The teens and younger children isolated inside the FAYZ dome are presented with chaos - some kids are developing bizarre powers, animals are mutating - and must manage that chaos as best they can. 



My favourite thing about the FAYZ is the characters. Most of your characters cannot be boxed into binary categories like “good” and “evil”. There are layers and qualities that you develop across the series and the characters change all the time and surprise the reader. Which character did you most enjoy writing?

First, thanks. My characters are defined obviously by my own world view, my own observations and experiences. I have never met a saint. I’ve met some hypocrites pretending to be saints, but never the real thing, the human with virtues unbalanced by vice. I’ve also met some sons of bitches, but even they generally had one or two pleasant character traits - wit, perhaps, or limited degrees of kindness.  

The humans I’ve known - including myself - exist on a moral spectrum, some closer to saint, some closer to devil. To me motivations are always plural never singular. Actions taken may be admirable, even altruistic, but it’s a very rare person who would take even an altruistic action without considering the costs and benefits to himself.

My standard of sainthood are those we call the Righteous Among The Nations. These were the people who despite terrible risks sheltered Jews from the Nazis during the Holocaust. I am certain that many of those men and women had mixed motives, and some may have seen advantage for themselves or at least rationalized in that way. It doesn’t matter. I don’t need a person to be pure all the way down to the bone, I only need for them to do the right thing in the end. Doing the right thing at a time when doing so meant risking your life and the lives of your family is a level of moral courage that leaves me amazed and abashed.


Did you know when you started the series that it would be a six-book series? Did you know from the beginning the trajectory that each of your characters would take? 

Yep, I pitched it and sold it as a six book deal. My explanation to the acquiring editor was that “it feels like six books.” Not exactly science at work there, just instinct and experience.  

No idea of the character arcs or indeed of the story. I’m an improviser not a planner. I make it up every day when I sit down and grab my laptop. This makes it a bit scary for me, but also unpredictable for readers. I like being unpredictable.  


The FAYZ series has been a phenomenal success. Do you feel a certain level of pressure when you approach a new series or project?


The pressure is always the same: to produce a good read. I’m here to amuse and frighten and engage readers. If I accomplish that then I’ve done my job.  

Work has a special place in my life. I found my upbringing and my education absurd and irrelevant. I didn’t find meaning in my life until I dropped out of high school and took my first job at age 16. Toys R Us, during the run-up to Christmas. I liked that it was hard, I liked that I was able to outperform adults, and most of all I liked the rationality of it: I give them an hour’s work, they give me an hour’s pay.  

The idea of work, the idea of a job came to be quasi-sacred to me. It became the organizing principle of my life, I suppose. I work hard, I try always to do my best. That’s the only pressure I really care about. Well, that and money. Let’s not forget the eternal need for money.


How did you find the manuscript to book publication process the first time around with Gone?

Painless. I wrote Book #1 on spec - without a contract. When was done I submitted it to half a dozen publishers and got offers from 5 of 6. I took the best offers. 


BZRK was an incredible transmedia project. How did you find it? And do you feel this is something that may help build a stronger community around teenage readers in the future?



The transmedia elements turned out to be a distraction, really. What excited me about BZRK as a story, as a concept, was that I knew I had never read or seen anything like it. I felt complete freedom, complete indifference to the usual tropes. BZRK actually changed my world view, I saw all of reality in a subtly different way. I’ve never before had that happen, that one of my own books would change my understanding of reality. BZRK is scary in a whole different way than GONE and in a whole different way than people expect and it honestly scares me still. That just occurred to me in writing this answer: BZRK is the first time I scared me.


Tell us a little bit about Messenger of Fear. Where did the ideas and mythology come from

Messenger of Fear is a bit personal in that it deals so much with flawed characters and their redemption — personal in that I’ve required some redemption myself. It’s basically a grim reaper story, tangentially inspired by the movie, The Seventh Seal.  

Just a moment ago I received a very nice review from Kirkus of book #2, The Tattooed Heart, which is very nice to get.  

 
My favourite book of yours is actually Eve and Adam. The narration, the plot, the characters – I loved it everything about it. The book itself feels very uniform, like it was written by one author. What was it like to co-write a book with your wife? Was it a harmonious process? 

I had worked with my wife on various series including ghostwriting, creating our own teen romance series, then Animorphs, so we sort of knew how to do that, to work together. In the case of Eve and Adam I built the bones and put some muscle on it, Katherine added the flesh.


Which of your books are you most proud of and why?


As a sort of technical challenge, the Gone series was the most complex, the one requiring the most creativity and nerve on a daily basis. I felt I pulled it off as a series, in other words as one long narrative. Readers liked each book a little more than the one before until by the time we reached LIght it was almost unanimous support. That’s not always the case with series, so I was pleased that I had pulled it off.  

In terms of commercial success, and in terms of long-term impact on kids, the Animorphs series stands head and shoulders above anything else I’ve written or co-authored.  

But like most authors my most recent book is my favorite. It’s called Front Lines and will be out next spring. That was a hard write, well outside my usual comfort zone, but I felt I did a good job, and of course that’s my goal.


You’re on Mars and you have meagre food reserves. You have no communication with Earth, no battery life for your Kindle and you’re down to your last two canisters of oxygen. You have just enough time to read five books. What five would you choose?

 
I doubt very much I’d be reading, I’d be looking for a way to survive. Like that great philosopher, James T. Kirk, I don’t believe in no-win scenarios. But if I did read it would probably be a Flashman book for the laughs, or one of Patrick O’Brian’s Aubrey-Maturin series. Or maybe Lee Childs because surely Jack Reacher (Childs’ best-known character) would know how to survive an airless planet.  


Thank you so much for taking the time to chat with us, Michael. Michael's new book, Front Lines will be published on 28 January 2016 by Egmont Books so mark it in your calenders now!